Micro uzi and clarion are great DPS crit weapons. You haven't lived until you've use a mosconi crit build (and succeeded). The judge and loco can have great concealment. I thought we could do something a little different for this Payday 2 video. I am occasionally asked what weapons I am using, or what weapons I prefer in gam. Best guns in payday 2 2020. The JP36 is the best base assault rifle for a while (AMR is better but it's the last you unlock and UAR becomes better but you need mods for it which you will only get after hours of playing), most of the time just compare weapons stats and see what ones have all green in comparison to yours.
From the research I have done the input transformer on the MX-10 is a Beyer TR/BV 351 015 006. This has a turns ratio of 1:15, and the input impedance is rated at 200 ohms. This is a little low for most of the mics I will be using, so I am wondering, how technically complicated it would be to swap it out with something like a Jensen JT-115K-E. Epson v500 scanner driver download for mac. Input and interstage: 1:1+1: 0: 410 Ohms +30 Dbu: K Style options: Buy: 9905: Federal AM864/U Compressor WW Primary 120,110 V Twin winding 50/60 Hz. 175-0-175 at 40 mA, 6.3 at 2 A 5V at 2 A. Internal electrostatic shield See also input type 8540, output type 9900 and choke type CB24. I Shrouded: TRANSFORMERS FOR VINTAGE MICROPHONE. Very very rare input, MC step up transformer HS-1, special order made from Ampex. Spec is same as HS-1 but secondary is 86.5K which is little higher than original HS-1 Perfect for MC step up transformer as well as input CD transformer. Step up ratio can be set from 1:12 to 1:41. Can be used for many purpose.
Ampex 351 Vintage Tube Mic Pre with highly sought after input transformer. This is an amazing Mic Preamp! Recently gone through and given a clean bill of health. Items in the Worthopedia® are obtained exclusively from licensors and partners solely for our members’ research needs. Here is another Matched Pair of 2 Vintage Ampex 350 351 AG-440 600 Plug-In Bridging Input Transformers. Nice condition as shown. An excellent addition to anyone's collection. Money back guarantee you will not be disappointed.
http://www.jensen-transformers.com/datashts/115ke.pdfThe higher 1.4 kohms input impedance that the Jensen is rated at is the main reason for replacing the Beyer. The output impedance of the Jensen is ~ 17kohms, but the output impedance of the Beyer may be around 45 kohms, however I am not sure. I am assuming such a difference would matter to the input electronics lying beyond the transformer. Anybody have any suggestions?I realized today that it's been nearly a year since this blog has been updated, but that doesn't mean that Wombat Amps hasn't been busy! On the contrary, we've now launched an improved web site, I've established a formal Wombat Amps workspace in a building that also houses dozens of bands -- as a consequence I've been doing a fair amount of repair work -- more than I had really intended actually. Nevertheless, I have been working on some interesting projects, including a cool custom amp that was recently completed and a solid state equalizer. But details of these just haven't made it to the blog for want of time.
However, I'm working on a new microphone preamplifier project that I'm really excited about, and I hope to document a fairly complete build log here. This mic preamp was commissioned by Andrew Everding, perhaps best known as the keyboard player for the band Thursday. However, with Thursday currently on hiatus, Andrew has moved on to audio engineering, and is currently located in Auckland, New Zealand, where is an audio engineer working directly with Neil Finn (of Crowded House fame) at Neil's well-known Roundhead Studios.
![Input Input](/uploads/1/1/9/8/119877570/133906133.jpg)
Audio Input Transformer
One of the preferred platforms for the mod community has been the amplifier from Ampex 351 reel-to-reel player, as shown above. In fact, there's a fair amount of documentation online (especially at the Electric Audio forum, courtesy of Greg Norman), describing how to mod one of these units into a preamp. So why not just mod one of these, and be done? Well, it turns out that there are a number of good reasons. First, the Ampex 351 is now highly sought after, and prices for these units have skyrocketed. You can easily pay $1300 or more for one on fleaBay, and what you get will be in uncertain condition. And this is before the mod process, which turns out to be not at all straightforward. These were constructed on now crufty old first-generation PCBs that are prone to traces lifting from accumulated moisture, and are not particularly amenable to modification. Also, there is a ton of other circuitry in there that gets in the way and is unneeded after the mod, you're for sure going to have to replace all the power supply capacitors anyway, etc.Ampex 351 Input Transformer Diagram
, etc.. Even after you go through all the trouble, you're still going to be left with just a single preamp, not a dual. So you'd need to do this all twice to get a dual setup! And this single would not really be optimised in terms of layout, ground scheme, noise, etc. It also wouldn't provide modern amenities such as phantom power and fully regulated DC tube heaters, at least not without having to do a bunch of extra work. But aside from all that, the Ampex is still a pretty damn good reel-to-reel player, and I just hate seeing beautiful old gear being canabilized in that way. So the decision was made early on in the process to scratch-build from new components a dual preamp that stays true to its heritage but incorporates just the components necessary for a preamp. In addition, it should incorporate features such as phantom power and regulated DC tube heater supply, and do it all in an attractive 3U rack-mountable package. Here's the design brief:- Dual microphone preamp inspired by the Ampex 351 circuit;
- Each section to combine elements of the Record and Repro boards of the original in a manner similar to the Electric Audio preamp mod;
- Tube complement of each section will be 2 x 12AX7 and 1 x 12AU7;
- Tubes provided will be New Old Stock (NOS) selected for low noise, gain, and balance;
- Custom wound transformers audio transformers from Sowter UK;
- Custom wound power transformer from Heyboer USA;
- 3U rack-mountable enclosure with laser-engraved faceplate;
- Black anodized aluminum contrasting with large high-quality brushed aluminum control knobs;
- Regulated 12.6VDC filament heat for all tubes;
- Tube rectifier replaced with silicon rectifier;
- Switchable between 120V/60Hz and 230Hz/50Hz power;
- Regulated 48VDC phantom power;
- Switchable -20 dB input attenuation on the XLR mic input;
- A separate 1/4' stereo jack line level input with fixed -30 dB attenuation;
- A front panel Mic/Line selector switch;
- A mono 1/4' instrument input directly to the input tube grids;
- Phase switch;
- Variable output attenuation using a Bourns 600Ω T-Pad Attenuator;
- Bypass switch for disengaging output attenuation;
- Primary gain control and gain trim adjustment;
- Ruggedized turret board construction for main amplifier boards;
- Custom hand-etched PCB for phantom and filament power supply;
- The unit will be equipped with an internal EMI/RF line power filter;
- Power supply features 105deg-rated low Z electrolytic capacitors for heat resistance and longevity;
- Signal capacitors are high-quality film types in the nF range, and silver mica in the pF range;
- Audio path wiring is aircraft-grade solid core 20AWG with PTFE insulation, shielded where necessary;
- Controls for gain and gain trim will utilize sealed 2W milspec potentiometers;
- 750V rated 2W metal film resistors will be used for low noise and durability;
- Where accurate balance is required for best CMRR, 0.1% precision resistors will be used;
- The ground scheme will be optimised for low noise, and will adhere to the AES48 standard to avoid the 'Pin 1 problem';